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An International Film Journal : ISSN-2582-2497

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Category: Film Review

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A Dialectic on Response to Nature’s Fury – Swarnavel Easwaran’s Nagapattinam: Waves from the Deep (2018)
Article Film Review Volume XIV : July 2024

A Dialectic on Response to Nature’s Fury – Swarnavel Easwaran’s Nagapattinam: Waves from the Deep (2018)

July 9, 2024July 9, 2024 By : Babu Subramanian
Pedalling for Parisian deliverance
Film Review Volume XIV : July 2024

Pedalling for Parisian deliverance

July 9, 2024July 9, 2024 By : S Viswanath
Development, desolation, displacement
Film Review Volume XIV : July 2024

Development, desolation, displacement

July 9, 2024July 9, 2024 By : S Viswanath
The Pedagogy of Vision: Don Palathara’s Family
Film Review Volume XIII : July 2023

The Pedagogy of Vision: Don Palathara’s Family

November 11, 2023November 11, 2023 By : Maksim Karpitski
Sama in the Forest: A Confluence of the Myth and the Real
Film Review Volume XIII : July 2023

Sama in the Forest: A Confluence of the Myth and the Real

November 11, 2023November 11, 2023 By : Sayar Banerjee
The Circle: Jafar Panahi
Film Review Volume XIII : July 2023

The Circle: Jafar Panahi

November 11, 2023November 11, 2023 By : Meena Karnik
Do Paise Ki Dhoop, Chaar Aane Ki Baarish (2009):  Directed by Dipti Naval : a closer look into the performer’s directorial debut
Film Review Volume XII : December 2022

Do Paise Ki Dhoop, Chaar Aane Ki Baarish (2009): Directed by Dipti Naval : a closer look into the performer’s directorial debut

February 7, 2023February 7, 2023 By : Anustup Roy
Of Unusual Meanings and Messages: Paolo Sorrentino’s The Hand of God
Film Review Volume XI : July 2022

Of Unusual Meanings and Messages: Paolo Sorrentino’s The Hand of God

August 30, 2022August 30, 2022 By : Somrita Urni Ganguly
GARAM  HAWA  (SCORCHING  WINDS)
Film Review Volume XI : July 2022

GARAM  HAWA  (SCORCHING  WINDS)

August 30, 2022August 30, 2022 By : John Talibuddin  
Rat Trap as Mise en Abyme: Adoor Gopalakrishnan’s Elippathayam (1982)
Film Review Volume XI : July 2022

Rat Trap as Mise en Abyme: Adoor Gopalakrishnan’s Elippathayam (1982)

August 30, 2022August 31, 2022 By : Babu Subramanian

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An International Film Journal : ISSN-2582-2497

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