Film Review Volume XII : December 2022 Do Paise Ki Dhoop, Chaar Aane Ki Baarish (2009): Directed by Dipti Naval : a closer look into the performer’s directorial debut
Film Review Volume XI : July 2022 Of Unusual Meanings and Messages: Paolo Sorrentino’s The Hand of God
Film Review Volume XI : July 2022 Rat Trap as Mise en Abyme: Adoor Gopalakrishnan’s Elippathayam (1982)
Film Review Volume X : December 2021 REVOLUTIONISING FEAR IN GENRE-BENDING HORROR: THE PSYCHOLOGY OF THE DISTURBED MIND IN BHOOTHAKAALAM
Film Review Volume X : December 2021 History in Multiple Perspectives: Satyajit Ray Centenary Year :: Review of his Classic ‘Shatranj Ke Khilari’ (1977)
